FYFFI 3: 2026

FYFFI 3 - The Arts Britain Ignores

FYFFI 3: 2026

RADICAL REDISCOVERIES: THE ARTS BRITAIN IGNORES

Coming in July: Playreading Marathons exploring forgotten Black and Asian plays from the 1970s, 80s and 90s
Drop in, read, discover and discuss a wealth of rich work that should be better known. Sign up to our newsletter or watch this space for more details.
Then on 12th November the opening of the exhibition The Theatre Britain Ignored… at London Performance Studios,  South Bermondsey and on 27th and 28th a Symposium plus staged readings, microgrant commissions and more!

 

Our 2026 Season – dates for your diary!

Exhibition. Symposium. Staged Readings. Microgrant Performances. 

 

Exhibition

Radical Rediscovery III: What Survives? 50 years since The Arts Britain Ignores 

Dates and Times
Thu 12 November – Sat 12 December /
Opening: Wed 11 November / 6 – 8 PM

Tickets Free

Location
Studio 4 & 5, London Performance Studios
Entry via Ormside Street

Unfinished Histories and London Performance Studios is pleased to present Radical Rediscovery III: What Survives? 50 years since ‘The Arts Britain Ignores’, a new archival exhibition that celebrates half a century of Black and Asian theatre in the UK. 

Taking its cue from Naseem Khan’s groundbreaking 1976 report, The Arts Britain Ignores, this exhibition explores trailblazing companies and individuals, and their struggles that defined those early years of Black and Asian theatre. The exhibition traces the enduring legacy and relevance of Naseem Khan’s work, revealing how, despite lacking support from the arts establishment, Black and Asian movements transformed British theatre forever.

Naseem Khan was a pioneer — editor of a key Black Power newspaper in the 1960s, theatre critic for Time Out and City Limits, and founder of MAAS (Minority Arts Advisory Service), her career was defined by the fight for institutional support for cultural diversity, integrated casting, and equal access to training that her report also advocated for.

Curated by Suman Bhuchar, Tyrone Huggins, and Unfinished Histories director Susan Croft, the exhibition centers on their archives and gathered collections that recorded Black and Asian theatre histories, preserving key ephemera and stories, to share these histories with new generations. 

The exhibition shines a light on the networks and campaigns that challenged the status quo, and celebrates community activism, grassroots venues across the UK, the vibrant world of young people’s theatre, and the importance of carnival. It includes oral history interviews, theatre and historic carnival costumes, Sheila Burnett’s photographs that capture the energy of the 1980s and 1990s, and a detailed interactive chronology.

Symposium

50 Years Since The Arts Britain Ignores: Change, Continuity, and Cultural Power

Dates and Times
Fri 27 & Sat 28 November
Tickets will go on sale in October
Location
Studio 5, London Performance Studios

As part of the Unfinished Histories 2026 rediscovery programme, Fifty Years of the Fight for Inclusion III: Black & Asian Theatre in Britain, this two-day symposium marks 50 years since the publication of Naseem Khan’s landmark report, The Arts Britain Ignores (1976).

Across two days of keynote talks, panel discussions, performances, archival encounters, and conversation, the symposium will explore the legacy of Khan’s work and ask what has changed, what has endured, and where cultural power sits today.

The programme brings together artists, writers, theatremakers, archivists, cultural leaders, and organisations whose work reflects the histories and questions raised by Khan’s report. It will consider the development of Black and Asian theatre and performance over the last fifty years, the importance of migrant and regional stories, alternative and experimental practices, and the role of archives in preserving histories that might otherwise disappear.

At the heart of the symposium is an evening celebration of Naseem Khan herself. Shreela Ghosh and friends and colleagues of Naseem will reflect on the woman they knew, alongside readings from her work, including her memoir, unpublished fiction, journalism and her influential writing on arts and cultural policy.

Together, the two days will look back in order to look forward: celebrating what has been achieved while creating space to ask where we are now, what remains unfinished, and where to aspire to next. 

Staged Readings

Dates and Times
Fri 11 & Sat 12 December / Doors 7:30 PM / Performance 8 PM

Tickets
Sliding Scale / Book here

Location
Studio 1, London Performance Studios
Entry via Ormside Street

As part of the public programme for Fifty Years of the Fight for Inclusion III: Black & Asian Theatre in Britain Unfinished Histories presents a triple bill evening of intimate staged readings comprising forgotten or unpublished one-person plays.

Slipping Into Darkness by Jamal Ali from 1988
Madhuri, I Love You by Parminder Sekhon from 1997
One of Us by Jacqui Shapiro and Meera Syal from 1983

Previous Events 

Playreading Marathons 2026

On Saturday 18th July at Hackney Archives, Dalston CLR James Library, Dalston Square E8 3BQ from 11.00 to 21.00.
On 18th we read:

Mercy by Gloria Hamilton, Royal Court Young Writers, 1983
Vigilantes by Farrukh Dhondy, Asian Cooperative Theatre
One of Us by Jacqui Shapiro and Meera Syal, National Student Drama Festival, 1983, Red Ladder, 1988
Glory! by Felix Cross, Temba 1991
Soulnight by Tunde Ikoli, Foco Novo, 1986

On Saturday 25th July at Canada Water Theatre, Canada Water Library from 11.00 to 21.00 we read:

Bhangra Girls by Nandita Ghose, Red Ladder, 1989
The Carver Chair by Tyrone Huggins Contact Theatre, Manchester, 1993
Slipping Into Darkness
by Jamal Ali, Black Theatre Co-op, 1988
Madhuri I Love You by Parminder Sekhon, Mehtab Theatre Co. ICA Live Arts ‘Jezebel’ season, 1995
Raj – from Edmonton by Peri Allen, one-man show, 1992